Della Grazie is a photographic exploration of Milan through memory, movement and perception. Using an experimental scanning technique, the series abstracts the city beyond conventional representation, dissolving architecture into light, atmosphere and trace.

Milan becomes not a subject to be captured, but a presence to be experienced—a shifting interplay of visibility and invisibility.

Anchored by Santa Maria delle Grazie and Leonardo da Vinci's The Last Supper, the work reflects on the relationship between place, history and lived experience.

A photograph may be taken just outside a monumental site such as the Duomo, yet the grandeur of the structure remains unseen, effaced entirely by the scanning technique. What emerges is not architecture, people or objects, but the ghostlike presence of what passes momentarily through the scene.