My practice investigates the hidden systems through which we construct meaning. Drawing forms the foundation of this enquiry. Working across painting, sculpture, moving image and photography, I begin with observation and translation. Whether derived from architecture, mathematics, language, landscape or the body, forms are distilled through processes of construction, reduction and abstraction. Geometry is never an end in itself, but a means of uncovering the relationships that exist beneath appearances.

I am drawn to what is ordinarily overlooked or concealed. Construction lines remain visible, primer becomes paint, support materials acquire equal status with finished surfaces, and diagrams are valued alongside the forms they generate. Light, time and movement become active collaborators, allowing works to unfold through changing relationships between material, space and perception.

Across different bodies of work I return to language, mathematics, architecture, music, drawing and memory as interconnected systems through which we organise, communicate and understand the world. By making visible what is often unseen, I seek to revalue the overlooked, inviting a slower way of looking where hidden structures, processes and relationships become sites of reflection, discovery and renewed understanding.