These panoramic compositions imagine the cities slowly overwhelmed by rising tides, offering a dreamlike meditation on the fragility of being human.Through layered textures, subtle distortions, and sweeping scale, the artworks transform familiar urban spaces into shifting underwater vistas. Buildings fade into ghostly silhouettes, and rippling reflections evoke memories of human ambition dissolving into uncertainty. Each panorama feels both like documentation and prophecy, capturing the moment before disappearance while questioning our collective role in environmental decline. The wide format encourages viewers to move through the scene, echoing the sensation of wading through flooded streets. Colours soften, perspectives fracture, and the line between sky and sea blurs, creating a quiet beauty within the loss. Light refracted through water becomes a metaphor for renewal and for the possibility of perceiving the world differently after catastrophe. These flooded cities, reimagined as ethereal, aqueous cathedrals, suggest that art can offer not only warning but transcendence. Running parallel to this environmental narrative is a more intimate metaphor for sight loss. The encroaching water mirrors the slow submersion of the familiar visual world. Forms blur, colours fade, and clarity unravels into abstraction, capturing the emotional weight of losing vision. In this sense, the submerged panoramas become portraits of resilience — charting the search for new ways of seeing when the known world slips from view.